The motives of the work "The Taming of the Shrew"

Disguise
Prominently featured in The Taming of the Shrew. The sly ones dress like a lord, Lucentio dresses like a Latin American, Tranio dresses like Lucentio, Hortensio dresses like a music teacher, and the pedant dresses like Vincentio. These disguises allow the characters to overcome barriers in social position and class, and for a while each of them is successful. Thus, the play raises the question of whether a man creates clothes, that is, whether a man can change his role by wearing new clothes.
The final answer is no, of course not. In The Taming of the Shrew, society includes a network of predecessors who are always able to reveal their true nature, no matter how differently a person wants to portray themselves. Tranio, disguised as Lucentio, only needs to bump into Vincentio, and his true identity appears. As Petruchio implies on his wedding day, clothes are just clothes, and the person underneath remains the same, no matter what disguise is worn.
Taming
The motive of domestication is translated in the title of the play by the word "taming". Most of the action consists of Petruchio's attempts to cure Catherine of her antisocial hostility. Catherine is thus often referred to as a wild animal that must be domesticated. Petruchio considers himself, while others consider him a tamer who should train his wife, and most men at first secretly suspect that her wild nature will be too strong for him.
After the wedding, Petruchio and Catherine's relationship is increasingly defined by the rhetoric of domestication. Petruchio talks about raising her as a "falcon" and plans to "kill his wife with kindness." Hortensio even sees Petruchio's house as a place where other men can learn to tame women, calling it a "school of taming."
Fathers and their children
Several father-child relationships in the play - Baptista/Bianca, Baptista/Catherine, Vincentio/Lucentio-focus on parents dealing with children of marriageable age and seeking to find suitable mates for them. Even the imaginary father-son relationship between the pedant and the disguised Tranio depicts a father trying to approach his son as the pedant tries to negotiate Tranio's marriage to Bianca.
Through the repetition of this motif, Shakespeare shows the broader social consequences of the institution of marriage. Marriage concerns not only the future bride and groom, but also many other people, especially parents, who, in a sense, are responsible for their children, as well as their new spouses. L'accessibilité de la plateforme est un atout majeur, avec une interface optimisée pour tous les supports, notamment le mobile. Que vous saisissiez un meilleur code promo linebet offrant 100 €/$ de bonus sportif ou 1500 € avec 150 tours gratuits pour le casino sur votre ordinateur ou votre smartphone, l'expérience reste fluide et intuitive. L'application mobile vous permet de parier en déplacement, avec une navigation rapide et toutes les fonctionnalités essentielles. Les méthodes de paiement sont variées et adaptées aux spécificités locales, facilitant les transactions.